av¸£ÀûÉç

Mexico City, the subject of the upcoming av¸£ÀûÉç fundraising tour, is well represented in av¸£ÀûÉçARA, with 2,486 entries representing all eras, including the ancient Aztec and Teotihuacan civilizations, the Spanish colonial era, and the vibrant period of 20th-century modernism. We hope that the collection provides you with a strong image base for your teaching and research in these areas. If you participate in the av¸£ÀûÉç tour or are a scholar of this area, we also hope you will contribute your own photography. Please note that even when buildings and sites are already in the av¸£ÀûÉçARA collection, it is worthwhile to document their current status. Several of the photographs below date to the 1960s, 70s, and 80s, and it would be valuable to know how the structures are faring in the 21st century.

The av¸£ÀûÉç tour, Mexico City: Past & Present, is planned for August 5–7, and will be led by av¸£ÀûÉç member, professor, and author Kathryn O'Rourke. Several of the sites below will be included on the tour.

Whether you travel far and wide, or stay closer to home, please consider making your own contributions to av¸£ÀûÉçARA.   

To see more av¸£ÀûÉçARA content:
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Felix Candela, Bacardi Bottling Plant, Mexico City, 1961. Photograph by Amanda Delorey, 2010. Candela was a Spanish-born architect known for his thin-shell concrete structures.

Augusto Alvarez, Torre Latinoamerica, Mexico City, 1956. Photograph by Amber N. Wiley, 2014. This building demonstrated to the world that Mexican architects and contractors were participating in the world of highrise construction.

Juan O’Gorman, Diego Rivera/Frida Kahlo Studio and House, Mexico City, 1932. Photograph by Amanda Delorey, 2010. This colorful double house featured prominently in Julie Taymor’s 2002 movie, Frida.

Pedro Ramírez Vázquez, Nueva Basilica de Nuestra Señora Santa María de Guadalupe, Mexico City, 1976. Photography by John S. Stec, 1978. The new basilica was designed to replace the crumbling old basilica and to house the ever-increasing number of pilgrims.

Rodrigo de Pontocillos and Juan Rodriguez. Palacio Nacional, Mexico City, 1530. Photograph by Amber Wiley, 2014. Wiley, the first recipient of av¸£ÀûÉç's H. Allen Brooks Travelling Fellowship, has contributed 528 photographs that cover all time periods of Mexican history.

Adamo Boari and Federico Mariscal, Palacio de Bellas Artes, Mexico City, 1904–1934. Photograph by Dell Upton, 1987. The building in Mexico’s central square, the Zócalo, has both Art Nouveau and Art Deco features.

Juan O’Gorman, Gustavo Saavedra, and Juan Martínez de Velasco. Central Library, Universidad Nacional Autónoma de México, Mexico City, 1954. Photograph by Gabrielle Esperdy, 2009. One of the major monuments of Mexican modernism, the library features a mosaic façade with depictions of Mexican technical and cultural achievements done in the style of the Aztecs.

Unknown, Temple of Quetzalcoatl, Teotihuacan, circa 250–300 CE. Photo by Allan T. Kohl, 1998. Teotihuacan is the archaeological park that lies to the northeast of Mexico City. This detail shows a sculpted version in stone of a mask of the plumed serpent.

Pedro Ramírez Vázquez, Museo Nacional de Anthropologia, Mexico City, 1964. Photograph by John S. Stec, 1978.

Félix Nuncio, Ignacio, Ignacio López Bancalari, and Enrique Molinar, UNAM swimming pool, Mexico City, 1952. Photography by William Kessler, 1967. Kessler was a Michigan modernist who contributed 325 photos that he took in Mexico.